Dubstep
ZamZam 84 marks the return of J.Sparrow, one of the true stalwarts of UK sound system music. JahWind All-Stars - Bun Di HornsĬ3 Bukkha & Bungalo Dub & I-Keys Dub - The Highest Master (Raw Mix)ĭ1 Bukkha & Bungalo Dub & I-Keys Dub feat. Mowty Mahlyka - Bun Diī2 & Fada Jep feat. Sound system music, as timeless as its cultural heritage.ī1 Bukkha & Fada Jep feat.
![dubstep dubstep](https://d3vhc53cl8e8km.cloudfront.net/hello-staging/wp-content/uploads/2017/11/17143448/fluxpaviliontheproblemwithdubstep.jpg)
With true to the roots delay and reverb effects in the original Dub fashion, the album pays tribute to the technique pioneered by the likes of King Tubby, nothing less than a next-generation torchbearer. In a conscious stepper style, the release marches through original future classics - whether instrumental or led by the Rastafarian teachings of Mowty Mahlyka, anthem brass melodies by JahWind All-Stars, harmonica meditation by Hazeldub or Don Fe's notoriously brilliant flute virtuosity. Rebellious sounds for the healing of the nation. The symbiotic nature of the collaborations can be heard and felt as big stacks of speakers lend their voice to the musical message.
#Dubstep full
1' debut LP features seven talented guest artists from around the globe, the extended Dub family in full force and effect - connected to Bukkha through previous projects, shared tours and overall engagement in the scene. discography, the prolific artist maintains a consistent record of top-shelf releases on numerous famed record labels within the global melting pot of Dub-influenced dance music, including System Music, Dub-Stuy, Lion Charge, and so on. On top of his long-standing involvement in the thunderous Moonshine Rec. Originally from the US and now residing in Spain, a musical veteran with a career spanning more than a decade, it's safe to say Bukkha runs things when it comes to fuelling sound systems. Ten organic heavyweight cuts on 2x12" - strictly dubwise, no compromise! Want more? Check out The Secrets of Dance Music Production, the definitive guide to dance music production brought to you by Attack Magazine.Ready to chant down Babylon with musical fire and brimstone, none other than Bukkha returns to the revered Moonshine Recordings with a truckload full of sound system music in Roots Dub and Stepper style. This snare only hits once in the two-bar loop, but it feeds Ableton’s Filter Delay plugin to add a unique echo effect. A hint of compression tames the dynamic range of the echo, while a small amount of overdrive gives the whole thing a gritty, retro feel. It’s important to add these elements when your other musical elements are in the mix: you don’t want to overfill the production.įinally, let’s add a dubby effect using an acoustic snare drum sample. We’ll add two cajón samples, both low-cut EQd at approximately 100Hz to remove the booming low-end, which would otherwise overlap and clash with the kick drum. We already have the basis of a solid beat, but for a busier, more complex groove we can still find space for more elements. The tambourine pattern consists of two samples, one slightly higher in pitch than the other. Tambourines and other organic percussion instruments like shakers, congas and bongos are common in mellower dubstep tracks, creating a more ‘dubbed-out’ sound compared to artists like Skrillex and Rusko or labels such as Never Say Die and Rottun. The acoustic open hat adds a more organic element. Note how the shaker and hi-hats pause momentarily on the 3rd beat of each bar, giving the snare/clap space to breathe. The syncopated electronic hits and shaker provide the main groove, which is enhanced by subtle velocity changes. The hi-hats and shaker are a mixture of acoustic samples and drum machine hits. The layered snare/clap uses two samples: a weighty electronic snare with lots of low end (especially around 160-200Hz) and a clap with some reverb added. The weight of the snare sample helps the snare/clap bounce off the kick pattern. The clap is high-pass filtered so it fills the higher frequencies. The combined hit is placed on the third beat of each bar, giving the distinctive half-time dubstep feel.
![dubstep dubstep](http://www.pearltrees.com/s/background/image/25/1c/251ceb89fc164c18c029ebbf7f0da379.jpg)
(Note that the grids in this Beats Dissected example are set at 32 divisions. We’ll start with a very raw, hollow-sounding kick sample with lots of low end and enough thump to power through the mix (check out ‘Goblin’ by Coki for an example of the type of kick sound we’re after here). The kick pattern is a simple rhythm with some offbeats towards the end to increase the groove. The last kick in the pattern is triggered at a lower velocity to provide a subtle variation. Sounds mixture of acoustic and electronic hits Step 1